The Canadian Book Challenge 2008

So, after much thought, I’ve decided that I’m going to read 13 books by Canadian women this year. I’m calling it “for the ladies.” I’ve got 10 books at home on my shelves just waiting to be read and have chosen three more that I’d like to tackle all before this time next year. In no particular order, the books for my Canadian Book Challenge 2008 are:

1. Runaway by Alice Munro
2. Oryx and Crake by Margaret Atwood
3. The Almost Archer Sisters by Lisa Gabriele
4. Once by Rebecca Rosenblum
5. Away by Jane Urquhart
6. Help Me, Jacques Cousteau by Gil Adamson
7. The Boys in the Trees by Mary Swan
8. The Sad Truth About Happiness by Anne Giardini
9. The Winter Vault by Anne Michaels
10. Whetstone by Lorna Crozier
11. The Flying Troutmans by Miriam Toews
12. Quick by Anne Simpson
13. A Hard Witching by Jacqueline Baker

It’s late so forgive me if I’ve spelled anything incorrectly. With our summer hours, who knows, maybe I’ll tackle one this weekend and actually get a jump start on this year’s challenge.

The Canadian Book Challenge (#42, #43, #44)

You’ll just have to take my word for it that I finished on time (4 PM on June 30th) for this year’s Canadian Book Challenge. I had one province (New Brunswick) and one territory (Nunavut) left and was pleased with exactly one of the two. Here we go:

#42 – The Lost Highway – David Adams Richards

I don’t know why I do it to myself. Keep reading Adams Richards, that is. I know he’s a lauded Canadian author who’s won piles of prizes and even more acclaim, but his work is just not for me. This book was beyond hard to get through and I wouldn’t have finished it had it not been for the challenge. The repetition contained within his writing style makes me crazy. It’s as if he finds two or three key elements to each character and continually reminds the reader of them over and over again as the novel progresses. One part murder-mystery, one part typical East Coast depressing drama, and two parts nothingness jammed in to fill up the pages, The Lost Highway is about a warring rural New Brunswick family (there’s a shock) living in a town that pretty much runs the length of, you got it, a road.

The patriarch, a misery of an old man named Jim Chapman, metes out punishment to all around him, including his bumbling, quasi-lost nephew, Alex. A former student of philosophy who can’t seem to do anything right, Alex gravitates from hating his uncle to loving his uncle, from brash irresponsibility to regret, from whimsical romance to stalker, from bumbling fool to calculating criminal throughout the novel. And every five minutes, we get a lecture on what it means to be ethical from the “narrator” who makes a confusing appearance at the end of the novel. I found the setup to be preposterous, the writing tedious, and the story unbelievable. I was captivated for about fifty pages somewhere in the middle of the book where the action heats up, but for the rest of the time I plodded my way to the end trying to find any spare moment so I could just get through the damn book. I know I like to find good things in every book I read, and I just need to remind myself that it’s not that Adams Richards isn’t a good writer, it’s just that his books are for another kind of audience (that doesn’t include the likes of me).

Alas, but all pages do lead somewhere and so I cross New Brunswick off the list.

#43 – Unsettled – Zachariah Wells

Wells’s undeniably charismatic and utterly engrossing book of poetry, unlike the above, held me tightly all through my reading of it. I spent most of Monday with my nephew, a gregarious, spirited little guy who kept me on my toes all day (and who refused to nap). And even though I was tired, I sat down and read the entire book in one sitting, and then went back and re-read a lot of the poems a second time because I liked the titles so much. Having never been to the North, I think the part of his poetry I enjoyed the most is the clash between how you imagine the landscape to be and the writer’s human interaction within it. I also enjoyed the “freight” poems and could definitely see the Milton Acorn comp from the book’s back blurbs. His talent feels raw but the words are obviously chosen very carefully, and that’s my favourite kind of poetry, pieces that feel tossed off by the tips of ingenious fingers that read so easily but you know there were most likely draft upon draft before the author came to the final incarnation. All in all I can’t say enough how powerful I felt the poems to be and if I hadn’t left my copy at home I’d put in some quotes (to be added later).

Huge props to Kate S. for suggesting it and super kudos to Insomniac for sending it priority post so I could take care of Nunavut by the Canada Day deadline.

So that’s it for this year! Now I have to do some thinking about next year’s challenge, which is technically now this year’s challenge because it’s July 3rd today. So. Yeah. Thirteen more Canadian books by this time next year. What to do, what to do.

I do think I’m going to count Night Runner as my first (it’s a YA novel we’re publishing this fall that I read on Canada Day eve and Canada Day after finishing Unsettled) because it’s a book I just adored from start to finish (#44). Anyway. An entire list tk.

#40 – The Book Of Negroes

There are few books these days that can honestly be called epic. Many that aspire to be so, and many writers who set out to be “epic” without really understanding that it’s not just page count that matters when a book stands up and marks its place in time. Lawrence Hill’s The Book of Negroes is epic and it surely marks its place in time.

Over the past weekend when we were in NYC with my RRHB’s parents, he was the Author of the Year at the Libris Awards. That says a lot, it’s an award decided upon by booksellers and not a jury. Last year, Ami McKay won for her haunting, beautiful, and uplifting The Birth House. The books that win please readers and booksellers alike, a little bit commercial, a lot literary, and with a story that seems endless in its scope and telling, I’m not surprised at all that The Book of Negroes, and Lawrence Hill, won this year.

The novel finds Aminata Diallo, a young African girl aged about eleven, growing up as many generations before her have grown up. She has a mother, a father, a religion (she’s Muslim), a village, and is in training to follow her mother into midwifery. But everything changes the moment she’s captured by traders and sold into slavery. Transported by ship to the southern colonies before they’ve become the United States, she barely survives the journey. After she arrives, she’s branded, sold, and taken under the wing of a woman who ensures she comes back to health. And the story simply doesn’t stop there, she’s sold to a Jewish man who treats her well, but keeps her enslaved.

More skilled than many, especially other women, Meena, as she’s known, can write and read. Skills that serve her well and help her to survive the many injustices life tosses her way as easily as paper carries on the wind. The second half of Meena’s life finds her freed, a member of the new loyalist colony in Nova Scotia. Still unhappy at the crown’s treatment, a group of Nova Scotians travel back to the motherland and settle in Freetown, on the coast of Sierra Leone.

I read this book to satisfy my Nova Scotia requirement of the Canadian Book Challenge. I had planned on reading a Lynn Coady novel, but once this novel won the Commonwealth Prize, I figured I should probably read it sooner rather than later. And wow, what an achievement for Hill, it’s a wonderful and important book. The sadness of Aminata’s story is tempered by her own words, her strength and her amazing sense of herself in the world. Despite the hardship, despite her children being taken away from her at different stages in the book, despite being bought and sold and then bought again, despite the aches in her bones, she tells her stories again and again, all in aid of ending the terrifying and awful trade in humans.

Honestly, I enjoyed every moment of this book, even if it did take me three weeks to read. Now, I’ve got two provinces/territories to go before July 1st and only one slight problem. Anyone have an idea about reading Nunavut?

#36 – The Secret History

Donna Tartt’s epic The Secret History feels at times over-wrought, over-written and perhaps many, many pages too long. That said, holy crap did this novel grab me by the toes and pull me in from beginning to end. To summarize: it’s the story of a young, unhappy man from Plano, California who finds himself embroiled in a murderous plot at an exclusive college (called Hampden) in Vermont. But the book is also so much more than that — it’s the dramatic coming of age for a young man who searches for something exciting and finds himself deeply embroiled in events that will change his life forever.

The narrator, Richard Papen, has had an ugly childhood: his parents are typically unhappy, he’s poor, an only child, and longs for a world far different from the one he grew up within. Enter Hampden College. And even better, enter his acceptance into a small fraternity of students, six including Richard, that study Greek under an epic teacher named Julian Morrow.

The group’s leader, Henry, a wickedly smart (he speaks six languages or something crazy like that), embarrassingly rich fellow who controls the group. Besides Richard and Henry, there’s Charles and Camilla (twins), Francis, and Bunny (real name Edmund). All five were reared at prep or private school, and all five both accept and reject Richard at the same time. The secret history of the novel’s title revolves around the events that fall out of a weekend where the core five, Richard excluded, attempt to create a true bacchanal in the woods around Francis’s property. It’s impossible for any of them to move forward beyond the events that happened over those few days and the book meditates on those moments in your life that impact where you’ll end up, the idea of a ruinous youth, and the consequences to thoughtless actions.

Tartt unravels the novel like a mystery with masterful suspense. Richard slowly goes through the motions of telling the story, which has become ‘the only one he’ll ever be able to tell,’ to the reader and in part finally letting the history consume him once again if only to finally let it all go. Elements of Highsmith and other solid British writers (Tartt’s an American) sneak into her prose and characterization (Henry is a solid Ripley-esque fellow, right down to his glasses), and I found the most frustrating part of the narrative never knowing exactly when the novel is set. But in the end, it’s a terrific book that sucks you right in and would be perfect for summer reading up at the cottage when it’s cold (like today) and raining (like today) and all you’re looking to do is curl up by the fire with a good, hair-raising story.

READING CHALLENGES: Believe it or not, The Secret History is on the 1001 Books list, and so it was on my particular challenge list for this year. I think I might be slightly behind the whole 1001 Books challenge for now, having given up Huck for the present time.

WHAT’S UP NEXT: Saints of Big Harbour, a nonfiction book that I started while waiting for the osteopath this afternoon called High Crimes, and whatever I’m going to take to Paris (probably the two IMPAC books I actually have and anything else that’ll fit in my suitcase and, of course, a Jane Austen because I always love to read her on a plane).

#35 – See the Child

David Bergen’s lyrical, gut-wrenching and tragic novel surprised me. I picked it up on a whim, trying to satisfy my Manitoba requirement for The Canadian Book Challenge, from a pile of books that were about to be sent back to the warehouse. Am I ever glad that I did.

The story of a middle-aged man who lives in small-town Manitoba, See the Child begins with a tragedy, as do so many good, Canadian literary novels. A knock on the door wakes protagonist Paul. He comes downstairs and expects to see his missing son at the door; instead, Harry, the local police officer, stands in front of him to say that Stephen’s dead. The rest of the novel deals with Paul dealing with the loss of his son. Stephen’s girlfriend, Nicole, was pregnant at the time of his death and when she and his young grandson come to live with him at his apiary, the young boy, named Sky, becomes his lifeline.

A couple of years ago, I read Bergen’s The Time in Between, and it took me months to finish. The book just didn’t capture my attention, so I was reticent to try more Bergen. However, this novel had me from the first few pages, I read the book up until the last moment of having to babysit, walked with it home down Lansdowne, and went to bed early so I could finish it after I got home from my cousin’s. The narrative stays close to Paul. And it’s not that we feel his suffering, we see it, in his actions, in his conversations, in how he almost abandons his life from before when his son was alive. It’s a novel about small town life, and has strong resonances of Margaret Laurence, which is probably why I liked it so much.

READING CHALLENGES & WHAT’S UP NEXT: As I mentioned, this is Manitoba for The Canadian Book Challenge. That’s 10 out of the 13 to make my cross-country reading adventure. I’m still a bit stumped by Nunavut, but I’ve got Nova Scotia (Saints of Big Harbour) at the ready to dive into after I finish Donna Tartt’s exceptional (so far) The Secret History.

#32 – The Woman Who Waited

While I have to say that while much Andrei Makine’s IMPAC-shortlisted novel, The Woman Who Waited, exists somewhere between lyricism and imagination, much of the book suffers from slightly muddled storytelling. There’s also a quirk in his writing that slightly befuddled me: how sentences and dialogue simply trail off with an ellipsis… and then start up with a completely different thought. Maybe it’s an attempt for the author to force the story off the page? Maybe it’s a way for Makine to foreshadow the ambiguous nature of his main character, a Leningrad scholar to goes to a remote northern village and ends up falling in love with an equally ambiguous woman.

Who knows.

Annnnywaaay. There’s are fairy tale elements to the book that I quite enjoyed. Lots of deep, mysterious woods. Plenty of aging old crone-like women. Many figures appearing out of the mist. Goodly amounts of atmospheric hoarfrosty weather. The story goes like this: boy comes of age in an urban environment in Leningrad that’s slightly unsatisfying. Listless encounters with the opposite sex lead to drunken fumbling behind the curtain (literally and metaphorically) and our hero sets off to the north on an anthropological mission. He’s going to record and study the rituals of the women of Mirnoe, a tiny village obliterated by the Second World War, now populated almost entirely by diminishing families and widows. Among the elderly women lives a 46-year-old woman named Vera who has waited since she was 16 for her soldier to come home to her. He never arrived.

Our narrator becomes fascinated, even obsessed, with Vera, and a strange relationship burgeons between the two. He’s intrigued by her story and this drives him to follow her into the woods, to the railway station, into her house. But he’s young, foolish, and selfish, and as the novel progresses it becomes obvious that he’s incapable of telling her story, as much as he wants to. Ultimately, I think the book, more a novella than a full novel, is worth being read. The setting (which fulfills my Russia component for Around the World in 52 Books) is mysterious, enigmatic and ultimately the most interesting aspect of the novel. It’s a lovely little fable, and while so far it hasn’t blown me away like Rawi Hage’s DeNiro’s Game, it was certainly worth the read.

READING CHALLENGES: As well as being Russia (see above), the novel the 3rd title from the IMPAC shortlist I’ve read so far.

WHAT’S UP NEXT: I indulged in a little something special for myself starting this morning: Paul Quarrington’s The Ravine. I’m already over 50 pages in. Then I need to start kicking ass in terms of The Canadian Book Challenge, as I’ve got two months left to read 4 different provinces. Gack!

#31 – Airstream Land Yacht


I am counting Ken Babstock’s Airstream Land Yacht as Newfoundland for The Canadian Book Challenge. I’m quite sure that’s where he’s originally from (if I remember correctly) and it’s one of the titles John had listed in his own challenge suggestions. The poems, though, are so much more universal and can’t really be defined by geography in the same way a novel can. They take inspiration from philosophy, from art, from literature, from other poets, from everyday life, from the stars, from the sea, from a whole host of interesting things that I will not be able to mention here, many I probably didn’t even get.

Separated into four distinct parts (Air, Stream, Land and Yacht), the book’s poems are deeply intriguing. It’s been years since I’ve thought critically about poetry but even so that didn’t diminish my enjoyment of the book. Perhaps in all the time since my Masters degree I’ve come to appreciate poetry a little for the pure beauty of how the words play together on the page. I’m also a little in love with the author’s impressive use of contractions, of apostrophe “d’s” and other whimsical ways of pushing the language to new heights.

If I had to pick just one favourite poem, it would be “Marram Grass” from the first section. A underlying sweetness pulls the piece along and it has stuck with me in the 10 days it’s taken to read the collection. I tried to stop my habits of speeding through sentences and forcing my eyes to take the corners fast so I could enjoy each one in the way it should be read. Thoughtfully. Carefully. Over sustained periods of time left to look up and imagine what the poet’s saying or how marvelous he is with vocabulary and language.

Highly recommended.

PHOTO IN CONTEXT: The cover from Anansi.ca.

READING CHALLENGES: This makes #9 for my Canadian Book Challenge. In terms of provinces, I’ve got: Manitoba, Nunavut, Nova Scotia and New Brunswick left.

WHAT’S UP NEXT: I’m already halfway through The Woman Who Waited. I should be done by tomorrow, it’s a swift read.

The IMPAC Challenge

Quinn left a comment on a book post a little while ago when I was asking for summer reading suggestions. He had a fabulous one, one that I’ve already started. Said he:

“dude! we can be on the pretend jury for the Impac prize and try to get through the 8 novels on this year’s shortlist in the next 2 months”.

Of course, I think this is a fab idea, considering that a) my all-time favourite book of last year, Out Stealing Horses, was an IMPAC winner, and b) it’s quite an international list, which means 52 Countries books as well. Also, I like that librarians all around the world nominate the books, even if a jury does do the final deliberations, and let’s not forget to mention it’s the richest literary prize in the whole damn world.

Here are the 8 shortlisted books for the International IMPAC Dublin Literary Award:

1. The Speed of Light by Javier Cercas
*This will also count as Spain

2. The Sweet and Simple Kind by Yasmine Gooneratne
*This will count as Sri Lanka

3. DeNiro’s Game by Rawi Hage
*This will count as Lebanon, as Hage was born in Beirut.

4. Dreams of Speaking by Gail Jones
*This would have been Australia if I hadn’t already read the amazing Tim Winton.

5. Let it be Morning by Sayed Kashua
*This will count as Israel

6. The Attack by Yasmina Khadra
*This will be Algeria
Finished on Saturday, April 19th, 2008

7. Winterwood by Patrick McCabe

8. The Woman Who Waited by Andrei Makine

So there you have it, all eight titles, many of which I’m having a heck of a time getting in Canada. Right now I’ve started with The Attack (Quinn’s already one book ahead of me) and once my package arrives from Amazon.ca with The Speed of Light, The Woman Who Waited, and DeNiro’s Game, I’ll at least have half the titles I need. The rest I’m going to try to track down this weekend.

UPDATED TO ADD: Winterwood, Let It Be Morning, and Dreams of Speaking are coming from Amazon.co.uk. That just leaves one title, The Sweet and Simple Kind, that I can’t seem to buy anywhere.

#26 – Rilla Of Ingleside

When I was creating the list of books for The Canadian Book Challenge, I thought it would be prudent to include a title from L.M. Montgomery because of the whole 100th anniversary of Anne celebration. The book I originally picked was Anne of the Island, which I had chosen because I thought it was the one about the First World War. Obviously, my memory’s a bit murky, considering I read all these books when I was about 10 years old, because the book I really wanted to read was Rilla of Ingleside (as I discovered in the bookstore).

Of course, I remembered next to nothing about the book, so the whole reading experience was quite a surprise. It’s easy to see how all of the Anne books are so beloved, Montgomery has a way with characters and plot that flow like good conversation. You don’t care if the point of view flops all over the place, aren’t bothered by the funny little quirks in her writing, don’t mind that people float in and out of Ingelside with alarming frequency. There’s a heart to the books that’s so warm, inviting and, frankly, comforting that they act like the best of one’s childhood memories. You know those parts of you that were shaped by the person you were when you read Anne in the first place.

Rilla of Ingleside follows Anne’s youngest child, a free-spirited, surprisingly (in her words) unmotivated young woman from just before the war starts, through her miraculous changes otherwise known as growing up, to the months following the Armistice. Rilla’s adventures, her war baby (adopted), her Junior Red Cross moments, the lively cast of characters that inhabit her family home, they all combine to create a whimsical world I was happy to be lost in this week. The landscape reveals as much about the book as the spirit of the people in it, and I think it’s a huge part of the success of these novels.

I was listening to the CBC on Saturday afternoon when Ian Brown and guests were talking about Allison Pick’s poetry collection, The Dream World. While I haven’t read it, I was intrigued by their discussion around a line in one of the poems that describes the narrator knowing how she all about condoms and but not trees (I am doing a terrible disservice to Pick’s work right now and I do realize that; I’m sorry), and that idea stuck with me. It’s exactly the opposite in Montgomery’s work. She knows the plants, the trees, the hills, the water, the birds, the flowers, the bushes, the rocky paths, and that’s what brings the landscape to life, what makes it seem alive. In truth, it’s the heart of the books.

PHOTO IN CONTEXT: Just the cover, I’m afraid, and how very 1983. Awesome.

READING CHALLENGES: As I mentioned, it’s PEI, and the 8th book I’ve read for The Canadian Book Challenge. That means 5 to go!

#24 – Consolation

Consolation, Michael Redhill’s compelling novel with its story within a story, was the book all of Toronto should have read back in February. I think it was part of that whole “Keep Toronto Reading” promotion that went on for the month. As I am generally behind when it comes to city-wide celebrations, I have just managed to finish Consolation, which is also my Ontario selection for The Canadian Book Challenge. I realize it’s April. I hope that it still counts.

The book starts off with a bit of a shocker, one that I don’t want to spoil, so I’ll skip talking about it, and go straight to what I liked best: the balancing of the story of old Toronto, with its central character an apothecary named Hallam who comes from England in the mid-1850s to open up a pharmacy here in the city, with that of the modern day (well, 1997) as told around an urban geologist named David, whose family becomes involved in the very last project he was trying to unearth, a set of very early photographs of the city taken by our historical hero. Is that confusing? It shouldn’t be — the book’s epic storytelling makes it quite easy to flow from one time period to the next.

The history in this book, the detail, and the exquisite storytelling, all had me on the edge of my seat more than once. In both cases, the parts of the book that takes place in 1997 and that in the 1850s, the narrators are outsiders. Men on the cusp of something, of success, of family, of their own careers, which make their experiences unique and engaging. It’s a hefty book, but the pace is swift, and Redhill’s obvious skill as a poet means his prose is both lyrical and inventive at the same time.

I did find the ending a bit muddy but by that point I didn’t care as much about the perfection of the story; I was already embroiled in the absolutely delicious tale of Hallam and his cohorts. In the end, I’d say that I enjoyed the historical parts of the novel a touch more than the parts set in a more modern age. But Redhill’s book can absolutely stand the test of time in terms of becoming a quintessential novel about this city in which we live. It’s up there with In the Skin of a Lion, with Fugitive Pieces, with Cat’s Eye, and others. Highly recommended.

READING CHALLENGES: As I mentioned, I’m through Ontario! That leaves six more books to go before July 1st. Goodness, I’d best pick up the pace.