February 4th, 2012
#2 – The Night Circus
Yes, I have hijacked #1, which was Mansfield Park by Jane Austen. With the amount that’s been said everywhere about Austen’s work, there’s nothing more I can add to the conversation except to say that the more of her novels that I read, the more I discover how indebted fiction in general is to her work. Fanny might be my least favourite of her heroines, but I did admire her utter dedication to morality and her ability to always do the right thing, especially considering how things turn out for poor Maria. It took me ages to read, and I was getting antsy, so I was glad to finish and turn my attention to The Night Circus.
At its heart, this is a love story, and like Rob Wiersma (review linked), it stops you in your tracks. It’s very classic in a way, star-crossed lovers, circumstances built into their lives to keep them apart, and the lengths that people will go to when their love is grand in nature. Celia, the daughter of Prospero the Enchanter, a magician whose magic is more a gift than slight of hand, thrusts his utterly talented girl into a fight-to-the-death game with his rival, Alexander’s protégé, Marco. Working through Chandresh Lefevre and using his own magic, Marco controls The Night Circus, an epic travelling show that enthralls audiences with its interesting blend of traditional circus fare and the tricks/spells/enchantments the two main characters engage in.
December 19th, 2011
#85 – Blue Nights by Joan Didion
Over the last few years, instead of sending sympathy cards for friends who have lost loved ones, parents, I’ve sent copies of The Year of Magical Thinking. It’s the one book that helped me on every level deal with the accident/death of my own mother. Didion’s exceptionally precise writing and her own deep, deep loss was both oddly exacting and yet comforting at the same time. It’s the most consistently accurate book about how to think about what the absence of the kind of love that we take for granted every single day does to the human heart, mind, soul that I have ever read. And then, we come to Blue Nights.
After the death of her husband, Didion’s daughter, Quintana Roo, died a complicated death caused by inexplicable but utterly explainable cascading medical situations that seem to define the word tragedy. Blue Nights remains the author’s meditation, for it’s hard to refer to it as a memoir, on the loss of a child. But any discussion of children cannot be separate from that of motherhood, of its failures, of its successes, of its utter inability to define your life outside of it once it’s happened to you. And Didion, balancing the life of a writer with that of mother was never a cause for regret, per se, but of reflection — and the results are brilliant.
Having led a life already defined by the inexplicable kind of tragedy that Didion herself has experienced (and I am not for once “putting myself into her shoes,” I’m just saying that my life has not be easy), it’s impossible for me not to relate on every level to this work. I am happy that this book is free of the platitudes that usually plague books of this kind — that the honesty required of Didion to even write about what happened to her excises any of the typically movie-of-the-week emotions that would feather a lesser book into melodrama. Yet, when Didion describes her own frailty, her wonder at who her emergency contact might be now that both her daughter and husband have died, and the complex relationship she had with her beautiful daughter while alive, there’s an undercurrent of honesty that a lesser writer would simply be unable to achieve. Her writing is direct and simple yet it aches with emotion. The book can write in one sentence what would take me paragraphs. My heart will never be the same after Blue Nights. There are lessons in its pages, and maybe that’s more the point, for me as a reader, that my own words will never come close to being able to explain how profoundly this book affected my consciousness. I have put it back on the shelf — it’s one to keep, to reread, to remember.
September 2nd, 2011
Good Gravy, Reviews, Wha?
I am so behind in, not just my reading, but my writing about my reading it isn’t even funny. So, for posterity, I have finished the following books:
#66 – A Gate At The Stairs by Lorrie Moore
Truth be told, I loved this book like a high school crush, I couldn’t get enough of it. The tragedy of it felt a bit forced but the writing remained so fresh and inspiring all the way through that I forgave Moore for the melodrama. Her writing reminds me a little of Miriam Toews (I’m reading Irma Voth right now) and perhaps that’s why I ear-marked about 100 pages of phrases and thoughts that melted my heart as Tassie Keltjin, a 20-year-old university student who becomes a nanny only for the entire situation to go so magnificently awry in the most horrible of ways (no death, nothing gruesome, just sad), suffers through one of the most pivotal years of her life. The book is so, so sad, but that’s what makes it so, so good in my estimation.
#67 – Pulse by Julian Barnes
Personally, and I’ll take anyone to task, I think Barnes is one of the best short story writers working today. It’s an amazing little collection. I liked every story. I love Barnes. I don’t know what else to say. Well, except that the package — the cover art etc., is terrible. Truly.
#68 – Alone in the Classroom by Elizabeth Hay
My, when I started this book I raved and raved to my aunt that Elizabeth Hay was one of the best Canadian writers working today. The story of the young girl’s murder, the narrator’s amazingly intriguing aunt Connie, the setting (Ottawa and Saskatchewan), it all came together and gave me a reason to rip through the pages, and then half-way through the book, the whole thing sort of fell flat, like a ginger ale, really awesome when you first open it, then by the time you get to the bottom of the can, your teeth hurt and your whole mouth feels kind of fuzzy. It’s not her best novel, and that’s all I’m going to say at the moment because I am about to go and play some cards on my last night here at the cottage.
August 25th, 2011
#65 – The Astral
Thunderstorms, summer colds, visiting friends, awesome weather, terrible weather, baby not napping — all of this contributes to being very behind in a) reading and b) blogging. Anyway, I’m going to try and get caught up…
The Astral by Kate Christensen
I ran hot and cold with this novel. I searched for a plot, and then realized that it was more a novel about character than action, which was okay with once I decided to just go with it. The story of an aging poet, Harry Quirk, who has just been tossed out on his elbow from not only his home but his thirty-year marriage to Luz, the novel meanders around their lives, intersects meaningfully with the lives of their children, and brushes up against the lives of many of their friends.
Harry reminded me a great deal of Charles Bukowski, not in appearance, voice, or anything other than the fact he was a poet and liked to have a drink every now and again. That coupled with his rambling persona as he walks the streets of Brooklyn, well, I couldn’t get Bukowski out of my mind — that’s not Christensen’s fault. Anyway, Harry tries and tries to get his wife back, to convince her he is not, nor has he ever been, having an affair with his best friend, a photographer who has just lost her husband. I really liked the relationship between Harry and Marion. It’s rare to see a platonic relationship between a man and a woman so accurately and responsibly produced in print. (more…)
August 7th, 2011
#60 – The Devil’s Company by David Liss
I enjoy David Liss’s novels so much. They aren’t my typical reading material — I don’t read a lot of true historical fiction (I do read a lot of literary fiction, a lot of which takes place during historical moments but, somehow, it’s not quite the same). Regardless, Liss writes rollicking adventure tales that are smart, intricate and remind me a little of the best of Charles Dickens. You never quite know what’s going to happen and you can be sure that every single detail will mean something by the time you get to the end of the book.
In The Devil’s Company, Benjamin Weaver, the hero from Liss’s previous A Conspiracy of Paper, takes on an evil man named Cobb who has gone about buying up the debts of his friends and loved ones to force Weaver into doing his bidding. Of course, as the reasons for Weaver’s indentured servitude unravel, no one turns out to be who they seem to be, and surprise after surprise drives the plot towards its conclusion. I quite enjoy Benjamin Weaver — his brash, fists-first way of attacking a problem as his mind figures out the best way to get himself out of a situation. Soon Cobb has him acting as a thug/go-to man for one of the East India Company’s most industrious and, well, evil men. Everyone, it seems, is protecting his or her interests, not only in the company, but in the trade of cotton as well — and fortunes are both made and lost in this novel.
Overall, all I can really say about this book is that it’s a rollicking adventure that I read quickly and without prejudice (if that makes any sense.
July 28th, 2011
#59 – Still Alice by Lisa Genova
My RRHB has a saying whenever anyone asks him contracting advice about their basements: “you can’t win against water.” This saying kept echoing and echoing through my mind as I read Lisa Genova’s Still Alice last night into the wee hours because the baby woke up at 2AM, and I couldn’t get either to sleep or back to sleep, so I pretty much finished the book in one sitting. The only other Alzheimer’s-related story I’ve read is by Alice Munro, and it’s aching, brilliant and cutting at the same time (“The Bear Came Over the Mountain“) so I sort of expected the same emotional resonance that carried throughout that story to be found in this novel, and I don’t know why, but it’s just not there.
Alice, the title character, starts having strange episodes involving her memory. She’s a “brilliant” psychology professor at Harvard who has devoted her life to understanding linguistics, and her equally brilliant scientist of a husband might just cure cancer (honestly); the two share a wonderful life, three equally brilliant kids, and a whole host of truly awful dialogue as the episodes become diagnosed as early-onset Alzheimer’s. I know the book jacket tells me this is an award-winning NY Times bestseller but, for the life of me, I couldn’t understand why. It honestly read more like a really bad Lifetime movie of the week in parts, and I couldn’t abide by the melodrama.
#57 – A Visit From The Goon Squad by Jennifer Egan
What a rare book Jennifer Egan’s A Visit From the Good Squad turned out to be for me — one utterly and completely deserving of its rather exuberant praise and awards. This book swept me away from start to finish and the quirks that I would normally complain about (a la the entire chapter by the young Alison Blake) charmed me to no end because the writing is just that good. It’s more of a series of linked stories, Venn Diagrams of people’s lives as they interact, slip away, and then come into contact with someone else who can complete the tale rather than a traditional novel. The format feels innovative and new — parts of the book are told out of chronological order, some characters flicker in and out like fireflies, but Egan masterfully holds it all together with deft strokes and impressive sentences. I could not put this novel down.
Here’s the reading scenario: my son has Hand, Foot and Mouth disease. Yes, it’s as awful as it sounds. We spend a miserable evening at the emergency room in Peterborough for them to tell us that it’s a “virus.” He ran a fever of 104. He turned the colour of a lobster. My heart would not stop racing. And we spent a miserable night in the middle of a heat wave with him sobbing and trying to gain control over his fever — Egan’s novel was the only thing that kept me sane that night. I held him and read it. I rocked him and read it. He slept on me, and I read it. And when his fever didn’t break the next day and we had to head home to see the family doctor to get a further diagnosis (he had stopped eating and drinking at this point too), when I forgot the book in a panic to get home, I was devastated.
It’s a book, people. (more…)
July 27th, 2011
#55 – Bossypants by Tina Fey
Summer reading generally means three things to me: extremely popular bestsellers, chunky classics that I never get around to finishing, and chicklit. I know I shouldn’t consider Bossypants chicklit, but, in a way, to me, it was. I am not downplaying Tina Fey’s obvious feminism or her ability to spin a good yarn — but it’s more the sense of where her comedy comes from, a deeply funny, incredibly awesome redefinition of girlie. She’s confident without being boastful, extremely thankful of all of her hard-won opportunities, but also wickedly aware of her own limitations, and the limitations of a “Hollywood” life. Maybe I’m reading too much into it — because it’s really more of a series of vignettes than narrative nonfiction, which made for incredibly easy reading. Perfect for a week at the cottage by yourself with an infant.
I laughed out loud and I found so much of Fey’s self-deprecating humour, her voice, and her ability to find a positive message for women in just about every situation that it’s hard to remember what a force for change she remains in the “industry” (I say that like I am actually “in” any “industry”). I never found the read tedious like so many celebrity “memoirs” (and yes, it deserves air quotes, come on, you know it does). It doesn’t feel ghostwritten or contain any deep-seeded confessions that turn my stomach a little even though I’m dying to read them anyway, ahem, Ashley Judd (let me tell you, when I was a tween, bedtime reading was Mommie Dearest; I know, it says a lot about me. In fact, Mommie Dearest coupled with Sweet Valley High, Louisa-May Alcott and Anne of Green Gables — not much has changed all these years later).
May 31st, 2011
Review Catch-Up #s 44 – 47
I have spent three days this week at various doctors appointments and sitting waiting for blood work, and managed to read three books in five days. It’s almost like I’m breastfeeding at all hours again, only I’m not. Actually, it’s nothing like that at all. In fact, it’s exactly the opposite. Regardless, here are some short reviews of books I’ve read lately.
#44 – Saturday Night and Sunday Morning by Allan Sillitoe
Sometimes, when you see the filmed version of a book first, it’s almost impossible not to replay the movie in your head as you read. In the case of Allan Sillitoe’s Saturday Night and Sunday Morning, this was entirely the case. Luckily, both the book and the film are excellent, so I wasn’t disappointed by anything happening in my own head as I read. Sillitoe’s portrait of a young man, a working class, philandering, hard-drinking, impulse-driven, anti-hero remains captivating over 50 years since its publication. I found myself violently engrossed in the film, at times disgusted by Arthur Seaton’s behaviour, his attitude towards women, his own selfishness, and yet utterly thrilled by his voice, his hard-driving anger, and his youth.
Set in a working class section of Nottingham (and forgive me if it’s all working class; I am not familiar with the geography), Seaton works at a bicycle factory, where he gets paid by the piece. Work too fast, and you make too much money, the big bosses will come down on you; work too slow and it isn’t worth your while to get up in the morning. There’s a tender balance Seaton strikes between boredom, completely shutting off to the redundancy of his tasks and letting his mind wander (usually to the state of his love life, which is complex, and full of many married ladies). He served in the army but has no faith in it; he drinks not just because it’s the only thing to do but because it IS the thing to do; and all of his relationships with women are based on lying, cheating and his own awkward concepts of love. Yet, as a character, I couldn’t help but adore him — a prototypical bad boy when it still meant something to buck the system, and the dichotomy of the two parts of Seaton’s life: the Saturday nights spent drinking and with his hand up the shirt of his many married lovers; and the Sunday morning when he goes fishing and perhaps decides upon one girl, nicely contrast the tenor of life in England after the war. Everyone needing to find their footing, their voice, after the collective “pulling together” (Keep Calm and Carry On) as a universal decree. All in all, it’s an excellent novel. (Also exciting is that it’s on the 1001 Books list, whee!).
#45 – State of Wonder by Ann Patchett
Ann Patchett is one of my favourite American novelists. I adored Run, enjoyed Bel Canto, and had my heart broken over Truth & Beauty. But State of Wonder is in an entirely different class — if I had to find a comp, like someone (I can’t remember who) mentioned on Twitter, I’d too suggest Barbara Kingsolver’s The Poisonwood Bible. But, truly, the unbridled success of this novel lies in Patchett’s almost post-colonial “talking back” to Joseph Conrad’s classic Heart of Darkness. Now, I read Conrad’s book in first year university and haven’t revisited it since, so it’s hazy, to say the least in my memory. I recall more of Apocalypse Now than I do the novel itself but that doesn’t mean that I can’t theorize that Patchett set out to write back to Heart of Darkness, tackling not necessarily themes of colonialism and “going native” (shuddering to write that sentence) but more so the toll and cost of medical research takes from on our “modern” world.
When Dr. Marina Singh’s workmate and lab partner, Dr. Eckman, is pronounced dead in a far flung letter from Dr. Annick Swenson, a research doctor who has been in the field for almost decades developing and studying a very particular tribe in order to create a fertility drug that could revolutionize women’s reproductive health, she (Dr. Singh) is sent out to retrieve the true story and maybe, just maybe, bring both the body and a report of where the work actually is back to the company for whom they all work. Things go wrong for Marina right from the start — her suitcase is lost, her clothes taken by the Lakashi tribe when she arrives in camp, and soon every vestige of Western life has disappeared from around her. She wears her hair plaited by the Lakashi women, the only dress she has comes from them as well, and without sun protection, the half-Indian Marina’s skin bronzes so deeply that even she notices how different she looks than when at home suffering through a long, terrible Minnesota winter.
Classically trained as a OBGYN, Marina gave up her medical practice due to a terrible accident, and has been a pharmacologist ever since. Yet, once she finds Dr. Swenson (and the path that got her there was no less than difficult), her skills as a doctor are called upon — an in unclean, unhygienic and utterly disorganized (in terms of performing surgeries), and Marina’s life takes a turn in a direction she never imagined. The novel’s ending, both spectacular and breathtaking, has perfect pacing — I couldn’t put it down, and it brought me to my knees. I found myself reading and reading, any chance I could get, morning, deep into the night, just to find out what happens. And the last sentences, just like the amazing ones that end The Poisonwood Bible, stayed with me for days. Highly recommended; it’s perfect summer reading in my humble opinion.
#46 – Faith by Jennifer Haigh
I’m going to be honest — the subject matter of this novel remains difficult for many reasons — the church and its history/current struggle with pedophilia doesn’t necessarily equate “light,” “breezy” read. Yet, the tone and undercurrent of Jennifer Haigh’s novel, while neither light nor breezy, is both generous and kind, a difficult balance to achieve when discussing Catholic priests and the matter of faith in general. The narrator of the story, a self-proclaimed (at the beginning of the novel) modern-day “spinster,” Sheila McGann retells a story her half-brother Art, a priest who has found himself embroiled in a scandal that threatens not only his livelihood but also his life, and his core beliefs.
Sheila returns to Boston to help her family in the time of crisis. Art, accused of an unspeakable act with a young boy, the grandson of the rectory’s housekeeper, with whom he has a parental-like relationship, shakes everyone to their cores. I know it’s a cliche — family comes upon tragedy, novel unravels whether or not the accusations are true — but Haigh has a gift for character, and while this novel remains very traditional in its narrative format, I was impressed at how she tackled the subject matter. Haigh never shies away from the difficult nature of it, and I like how faith as a concept remains interwoven throughout the narrative. Arthur has never questioned his calling. But, like anyone, it’s impossible to know when something might happen to rock your beliefs, earthquake-like, and send you reeling in another direction. Innocent, even naive, to the ways of the world, Art finds himself questioning everything he has ever known: the church, his ministry, the idea of love, when he comes to face to face with Kath, the mother of the young boy he is accused of abusing. It takes the entire novel to truly find out what happened. And no one is left unscathed, not even the reader. Faith is a novel that forces one to evaluate one’s own relationship to God, to the church, even if you’re a non-believer. It’s impossible to stand in judgment, of anyone’s life, and I think that is the eloquent point that Haigh makes throughout this book. It’s one that definitely got me thinking. And I’m a girl who got the majority of her religious schooling from Are You There God, It’s Me Margaret? when she was a child. Of course, I read more widely about religion in university. (I still remember sitting with a particularly obnoxious Religion major at Queen’s who honestly said to me, “You know, it’s not as if I’m totally obsessed with God or anything, I just think Jesus was a really cool guy.” Seriously. That was her take on her entire degree. Good grief.) Regardless, the kind of storytelling that Haigh purports in this novel usually drives me crazy (the retelling of a story when one could choose just to tell the damn story) but it’s subtly balances nicely with the seriousness of the subject matter and I don’t think she could have written it another way. By the end, I was a little heartbroken, which, for me, is always the sign of a very good novel indeed.
#47 – Every Time We Say Goodbye by Jamie Zeppa
This is a Vicious Circle book club book, and I’m so pleased that I’ll get to discuss it with a great group of women. It’s a women’s novel (as you can see from the awful cover [I'm sorry but it really, really isn't reflective of the book]) rather than dreamy chicklit as the cover suggests. I know what it’s going for — there’s a pair of siblings that the novel centres around, but the cover adds a layer of Hallmark Movie of the Week that dumbs down Zeppa’s sharp, instinctive and eager writing.
Told from multiple perspectives, the book follows three generations of Turner women, some blood, some married to blood, who each struggle with the idea of family, what it means to be a mother, and the difficult restrictions society, at different times over the last 50 years, for people of my gender. I fell particularly in love with Grace, a woman forced to leave her son behind to make a better life for herself in the city. Her strength, ability and the way she came into her own was particularly breathtaking. There’s a lot in the novel that isn’t necessarily fresh (troubled fathers, difficult women that seem cut from Lawrence, “women’s” troubles) but Zeppa finds a way in that is both refreshing and real — and I enjoyed this book immensely. I just have one tiny criticism — there’s a main character, Vera, a matriarchal figure, that we never hear from, she’s only portrayed through other people’s stories. I would have enjoyed knowing more about her point of view, her perspective, but I understand how too many voices could also ruin this novel. Regardless, it too is a perfect summer read. Funny how that works out, isn’t it?
April 12th, 2011
#32 – Committed
Dear Elizabeth Gilbert,
Should you have ever come to one of my book club meetings, you will have discovered that I am not a fan of the epistolary format. It makes me a bit crazy unless it’s Mary Shelley, actually. Yet, I feel the need to speak to you directly. Perhaps it’s the personal nature of your book or perhaps it’s my own selfish need to write a bit differently today — regardless, here we go, an open letter to you.
An apology to start: I really and truly hated Eat, Pray, Love. I didn’t give it a proper chance, however, and threw the book across the room halfway through India. The voice, the whining, the lack of appreciation for your life’s gifts, it all annoyed me to no end. And then I watched the movie (why oh why does Hollywood insist upon making movies about writers where they never, ever write? Aside from an email or two — to break up with a boyfriend none the less — the Liz Gilbert in the film never picks up a book or a pencil. Annoying. Didn’t that bother you?) and it affirmed my every action in terms of not finishing that book.
Cultural zeitgeist aside, I was weary to read Committed. In fact, I’m not sure why I did — and it took some effort, an extra trip to the library, a hold, actual dedication to read your book while caring for an ever-increasingly needy infant. But am I ever glad that I did. I’m going to say it loud and clear: I’m so very sorry. I was Judgy McJudgerson when it came to EPL, I couldn’t abide by the stories I was hearing of groups of women having themed parties and giving up their own lives for a year of self-journeyment. Maybe I was jealous. Maybe I wanted to be out there too — travelling for year and then writing about it. I mean, it sounds delicious. Yet, something in Committed, maybe it was the word “skeptic” in the book’s subtitle that caught me, or maybe it was the subject matter (being a happily married lady myself but ever-curious about the social and political implications of the institution itself), but I was hooked by the first chapter.
In fact, despite the odd pairing of the more anthropological aspects of the memoir with your own personal experiences, I was somewhat taken in by your obsessive/compulsive need to research just about everything you could possibly about marriage before wearily entering into your own second union. I know Curtis Sittenfeld pointed out that some of the connections between your own research and experiences in limbo while waiting for Felipe’s immigration situation to be sorted stretched thin across your narrative, but I didn’t mind. I enjoyed learning about the people that you met, the marriages you came across, the kind of social history that seems to only be discussed between women but not necessarily written down. Women need to talk more about their differences. Or, rather, women need to be better aware of the social and political implications of marriage around the world — if only to appreciate and understand our own particular wants, needs, and biases.
But what I adored about your book, and what made me feel like a heel for being so judgmental about your first book, was the story about your grandmother. I, too, grew up with a strong natured, extremely intelligent, ridiculously amazing grandmother — a war bride who bravely left her family behind in England to start a new life in Canada with a difficult man, who held her family together tragedy after tragedy, and whom I loved so much that I still think about her every single day. Your grandmother, with her sassy fur coat and her determination, her happiness in that tiny farmhouse with her small kids and everything that she gave up — there’s a richness to her story that I felt was missing from the bits of EPL that I read. Maybe I should have been more patient. Maybe more Maud-like stories would have shown up in the “Love” section of your book. Alas, I didn’t wait around to find out.
I did, however, rip through to the end of this book and was pleased to see that the legalities of your situation worked itself out. That your skepticism still allowed you to take a brave step down the aisle and I could absolutely relate to the idea of wanting to be married but not necessarily needing a “wedding” (we called ours a “non-wedding” for a long time and got married at city hall; it took less than 15 minutes. In fact, the actual “wedding” means so little to either of us that we a) forget our anniversary just about every year and b) neither can remember exactly how long we’ve been married. Some people might think this strange — but for me, and for us, it’s about the relationship, not the piece of paper, about building a life together, not about the institution. In a way, why did we get married at all, one might wonder. But it was important to me to be married and I’m sure it’s exactly as you explore throughout your book — the way I was raised, the example of my parents’ marriage, my grandparents and aunts and uncles.
Also, you have such a grand sense of humour throughout this book that perhaps I missed completely while being so annoyed with EPL? The tone of this book was whip-smart yet still with a questioning when it came to having to do something you were both so against from the beginning of your relationship. Lastly, I can absolutely relate to the obsessive/compulsive way you went about coming to terms with having to get hitched — the research, the restlessness, the ideas of how to still be the “you” that you had discovered after your first failed marriage. And as one who obsesses and has their own compulsive tendencies when it comes to many aspects of my life — it made me feel better to see someone else put it down in writing so eloquently.
So, in short, here’s my apology for being so flippant and, well, cruel. I’m sorry.